by Eli Crews
For years, people in the recording industry have been predicting the death of the console. With mixing taking place inside computers and summing boxes, and moderately priced outboard preamps and EQs in abundant supply, the large-format console has been diminishing in popularity… READ MORE Electronic Musician Review: Monitor ST
Not quite as dangerous as it sounds, but certainly exciting, Dangerous Music’s Monitor ST and Monitor SR are highly useful companions in today’s ever-evolving studio monitoring setups. Flexible routing and monitoring are more critical than ever, with many users now working both “inside” and “outside-the-box.”… READ MORE MIX Review: Field Test: Dangerous Music Monitor ST, Monitor SR
Analog-Loving Engineer says Dangerous Music Equipment was “an Epiphany”
after mixing ‘in the box’
Edmeston, NY – Engineer and producer Richard Sales recently finished mixing his daughter Hayley Sales’ follow-up album for Universal using the Dangerous Music 2-Bus analog summing mixer and monitoring… READ MORE Producer & Engineer Richard Sales Gets Dangerous
I fell in love with the Dangerous Monitor ST when I first experienced it firsthand at a recording conference in Tucson. I approached this monitor control system with skepticism; it seemed like another convenient niche product that would do little more than get us through… READ MORE Review: Dangerous Monitor ST
This modular monitor controller system offers an easy upgrade path from stereo to surround capability, and transparent audio quality to boot.
Dangerous Music are an American company producing high-quality analogue equipment to help enhance the facilities and interfacing of computer DAW systems. Among the… READ MORE Sound on Sound Review: Dangerous Music Monitor ST/SR
Before you read F. Reid Shippen’s review below, let me first explain to you why I chose a Monitor ST/SR system for the client theatre at The Station, a NYC-based video production facility that I co-own. One of my initial experiences with Dangerous Music was… READ MORE Tape Op Gear Review: Monitor ST, SR, DAC-ST & A.S.S.
Probably more than ever, recording studios have seen a need for monitoring different inputs and routing these signals to a variety of speakers. In my studio, we monitor the DAW, console LR, console control room out, CD, iPod, and computer outputs. We listen through three… READ MORE Tape Op Review: Dangerous Monitor ST