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MASTERING | MONITORING | SIGNAL PROCESSING | SUMMING/MIXING | TRACKING

APPLICATION VIDEOS: SUMMING/MIXING

The 2-BUS+ from Dangerous Music

Next Generation D/A Converters: The CONVERT Series from Dangerous Music

2-BUS+ Color Circuits - Dangerous Music

Analog Summing Benefits Explained by Steven Miller

Mixer Dave Rideau on the Dangerous 2-Bus

Pablo Arraya - Mixing Jazz w/ Dangerous Analog Summing

Pablo Arraya Mixing with the Dangerous Monitor ST

Ryan West - Mix Buss Processing with Bax EQ and Compressor

What D/A Converters Does Ryan West Use to Mix?

Ryan West: Why Use Dangerous Music Analog Summing?

Michael James Demonstrates De-Essing Vocals with a Dangerous Compressor

How to De-Ess Vocals with the Dangerous Compressor

How to Mix from Stems, with Producer Michael James - Dangerous Music

Parallel Processing with the Liaison - Dangerous Music - Part 1

Parallel Processing with the Liaison - Dangerous Music - Part 2

Mixing With the Liaison from Dangerous Music - Part 1

Mixing With the Liaison from Dangerous Music - Part 2

2-Bus LT and Source Setup - Dangerous Music

D-Box and UA Apollo Setup - Dangerous Music

Bax EQ - Michael James Mixing with Dangerous Music

Greg Calbi: Stem Mastering & Analog Summing with Dangerous Music

Cubase Analog Summing with Dangerous Music

Logic Analog Summing with Dangerous Music

Dangerous Music: 2-Bus Family

Inserting Outboard Gear for Dangerous Analog Summing

Hardware Setup and ProTools Routing for Dangerous Analog Summing

Setting Up Track Outputs for Dangerous Analog Summing

Dangerous Music Liaison: Overview

Dangerous Music Liaison: Mixing

Dangerous Music - D-Box