Claude Zdanow

“Stadium Red Engineer Ariel Borujow’s [mix] chain is: out to the 2-BUS LT, to an SSL compressor, then to the BAX EQ. He swears by it, he won۪t mix any other way.”

Dave Kutch

Mastering Engineer

“It۪’s no surprise that the first piece of signal processing from Dangerous is something that currently does not exist and something I need to have.”

Emily Lazar

Mastering Engineer

“The BAX cut filters are a unique and an indispensable part of my corrective process. Rolling off specific low frequencies like 12 or 18Hz actually increases the low end of the final product.”

Emily Lazar

Mastering Engineer

“The shelving EQs just bring out the magic of the artist’s intentions, without stepping on the music.”

Emily Lazar

Mastering Engineer

“When boosting the shelves, it simply makes the music feel better- bringing a coherency and cogency to an album.”

F. Reid Shippen

Mixing Engineer

“The BAX EQ is an awesome piece of gear. I’ve been looking for years, maybe a decade, for an effective hi-pass filter that can take the infrasonic muck out of a mix, without destroying what’s going on in the bottom end. And the BAX EQ… READ MORE F. Reid Shippen

Glenn Bucci

Engineer, Revelation Sound Studios

“After hearing the UAD BAX EQ I was amazed how great the unit sounds. It adjusts the signal without getting in the way. It offers a clear crystal sound without sounding sterile or boring. What it does is enhance the music is a wonderful way.”

Glenn Bucci

Engineer, Revelation Sound Studios

“Pure Magic! The BAX EQ was amazing in gently removing the low end 30Hz and below, adding a little more punch in the low’s at 84 Hz, and bringing the guitars and keyboard forward and a little fresher at 2.1 kHz and removing unwanted high… READ MORE Glenn Bucci

John Butler

Composer, Diamond Mine Music (Dr. Phil, Rachel Ray, etc.)

“I love how while I’m tweaking the knobs I hardly hear the changes and then when I take it out, it’s like ‘wtf, my mix just shrank!’”

John Paterno

Producer/Engineer

“The BAX has been awesome as my drum overhead EQ on tracking dates. It enhances the sound of the whole kit, but it doesn’t sound processed – just clear and 3D.”

Jonathan Wyner

Mastering Engineer

“The thing that really sold me on the BAX EQ is the high pass filter. I haven’t found a plug-in high-pass filter that sounds nearly as smooth. I think that the BAX has a high-pass that sounds very transparent [and] there’s less phase shift.”

Kevin Becka

Engineer, Blackbird Studios

“The BAX EQ takes us into the mastering realm – there has to be a little bit of a finish on your final mix, and the BAX EQ is a really simple and great-sounding way to do that.”

Mackenold Jean Louis

“As an owner of the 2-BUS, BAX EQ, the MONITOR ST and the DAC-ST I have to admit my mixing has more depth, very clean and more headroom than I infrequently get ; most importantly it feels as if my mixings are done from a… READ MORE Mackenold Jean Louis

Mike Wells

Mastering Engineer

“I got a BAX EQ right after it came out and it’s taken over as my go-to EQ. It’s almost always at the beginning of the chain unless I need to do something specific with it.”

Mike Wells

Mastering Engineer

“The cutting filters are a fantastic addition on top of the cut and boost shelving filters. I use the BAX EQ every day, I can’t really say there isn’t any master that I make that doesn’t have the BAX on it now!”