Colin Leonard

Mastering Engineer

“With the S&M feature on the MASTER, you can really fix some problems in mixes, and address balance issues… Comparing it to Mid-Side processors in the digital realm I just think it’s a ‘Day and Night’ difference.”

Dave McNair

Masterdisk –Mastering Engineer

“The MASTER’s implementation of the S&M is truly amazing. I use it all the time. It’s definitely a big part of my sound.”

David Kutch

The Mastering Palace -–Mastering Engineer

“The Dangerous MASTER brings all of my analog processing gear together in one place, and I’ve tried other devices that claim to do S&M – Mid–Side but they do not even come close.”

Emily Lazar

Mastering Engineer

“The Dangerous gear has certainly created an advantage. Another reason we have been able to establish ourselves in a highly competitive field is that aside from the gear sounding great…our Dangerous gear has been truly steady and stable.”

Emily Lazar

Mastering Engineer

“I have always favored gear that allows me to effect changes without artificially coloring the sound too much.”

Larry DiVivo

Tape Op Magazine

“I could hear the difference between A/D D/A converters…choosing between them…for each session…has become effortless.”

Larry DiVivo

Tape Op Magazine

“I can’t say enough about the quality components and sonic integrity…it doesn’t get much better than this.”

Mike Wells

Mastering Engineer

“The Dangerous Music gear is a far more elegant solution to anything I saw that was available…because of its simplicity, sonic power, and well thought-out design.”

Mike Wells

Mastering Engineer

“When I had the chance to try the Dangerous Music gear, it totally delivered on all that I had hoped for.”

Simon Li

Mixing/Mastering Engineer - nOiz

“The cleanest and most transparent mastering console I’ve ever used.”