Dangerous Music Returns To The Grammys
Thursday, Jan 31, 2013
As the 56th Grammy Awards show approaches, multi-award-winning hardware Read More
“The summing…preserved noticeably more depth, detail, and sense of instrument location.”
Stephen Fortner, Keyboard Magazine
"I just love the way…the 2-Bus…sounds. Anyone who's trying to mix in-the-box without analog summing is missing half the picture."
Michael Barbiero, Producer/Mix Engineer
"I really think this is a great box for just about any setup that needs a reliable, high-quality monitoring router."
Thom Monahan, TapeOp Magazine
“The 2-Bus mixes… were simply cleaner and warmer than the SSL or in-the-box mixing… I just don't miss my console."
Gina Fant-Saez, Mix Engineer
“The 2-Bus is amazing, it adds so much space and clarity to the mixes.”
Dirty South, Remixer
“The BAX EQ is unlike anything you have heard, but exactly like what you’ve been looking for.”
Phil Demetro, Mastering Engineer, Laquer Channel Mastering
"If you're running around tracking on the fly, or you're a touring DJ or electronic artist, this unit would be indispensable."
Thom Monahan, TapeOp Magazine
"The 2-Bus has made a huge difference. My mixes sound the way I want: really big, wide, lots of clarity, low end punch & detail."
Sammy Merendino, Producer/Mix Engineer
“I’ve been using the D-Box for about 3 months, and it’s incredible, I love it. Everything sounds wider, a little more transparent, more punch."
Billy Mohler, Producer, Engineer, Musician
"My jaw dropped! Night and day! I'm hearing things I never knew existed! Increased depth of field and stereo horizon! Just...wow!"
Aaron Symonds, Film Composer
2012 was a big year for mixer F. Reid Shippen, having taken home two statues Read More
As the 56th Grammy Awards show approaches, multi-award-winning hardware Read More
Fab explains how to use the Liaison in a stand-alone mastering scenario.