“The difference in the stereo image of my mixes with the 2-Bus is pretty staggering.”

Jeff Anderson, EQ Magazine

“When I had the chance to try the Dangerous Music gear, it totally delivered on all that I had hoped for.”

Mike Wells, Mastering Engineer

“The audio quality of the D-Box is superb.”

Hugh Robjohns, Sound on Sound

“The Dangerous 2-Bus is extremely clean, has huge headroom, and it’s easy to use. The harder I hit the 2-Bus the better it sounds. I love this box.”

Pablo Arraya, Mix Engineer

“The Dangerous Music gear is a far more elegant solution to anything I saw that was available…because of its simplicity, sonic power, and well thought-out d...

Mike Wells, Mastering Engineer

"I put the BAX EQ on the money channel!”

George Seara, Mix Engineer

“The sound quality is rock-solid and consistent at all listening levels.”

Joe Hannigan, Mix Magazine

“I could hear the difference between A/D D/A converters…choosing between them…for each session…has become effortless.”

Larry Di Vivo, Tape Op Magazine

“A whole new level of fidelity… The experience was somewhat akin to driving a sports car after driving an economy car.”

Mike Levine, Electronic Musician

"The most remarkable feature is its uncanny ability to push the melodic elements of the mix forward while maintaining all the separation in the low end, which a...

Greg Calbi, Mastering Engineer

Int’l Mix Engineer Reuven “Paquirri” Amiel Keeps Getting Dangerous

Wednesday, May 06, 2015

Miami-Based Grammy-winning Mix Engineer Embraces the ‘Hybrid Read More

Professional Sound Magazine Reviews the Dangerous Compressor

Saturday, Apr 25, 2015

Joe Mullen of Professional Sound Magazine shares his thoughts about the Read More