Friday, Oct 24, 2014
Tape Op Magazine does an in-depth review on the Dangerous Compressor. Read More
“The D-Box summing gives me a level of clarity that I used to struggle for on my mixes.”
Count, Producer/Mix Engineer
"As you’d want in a router, the Source has no 'sound' of its own; it’s clear and unobtrusive, effectively noiseless, and gives you every bit of the audio it...
Mike Metlay, Recording Magazine
"The Dangerous Music 2-Bus is one of the reasons my studio delivers a killer sound that grants the edge on the competition."
Alberto Rizzo Schettino, Engineer
“In a market flooded with inexpensive solutions, the ST stands out as a truly professional alternative.”
Eli Crews, Electronic Musician Magazine
“The Monitor ST is the heart of the studio as it controls all of my signal flow and monitoring.”
Dirty South, Remixer
"From hip hop to classic rock, I was able to bring a more aggressive back beat out of a variety of sources [with the Dangerous Compressor]."
Garrett Haines, Mastering Engineer
"Dangerous is one of those companies that everyone gives the thumbs up to. We pros who make our living doing this rely on their stuff more and more."
David Minehan, Guitarist for The Replacements, Producer at Wooly Mammoth Sound
"The sound quality is somewhere beyond excellent. Mixing with Source becomes a superior audio experience."
Craig Anderton, Mastering Engineer
"I like to mix at lower volumes, and with the ST even at low volumes you get all that macro, beautiful detail, which was interesting to me. I thought, 'Wow! The...
Richard Devine, Composer and Sound Designer
“At low volume on the Monitor ST, you still feel the punch of the kick and the power that’s coming through the mix. That is very, very important for me.”
Pablo Arraya, Mix Engineer
Mastering engineer Colin Leonard works a lot with major record labels on Read More
Mastering Engineer Jonathan Wyner shares his thoughts on the Dangerous Compressor