Wednesday, Jun 25, 2014
Source de Dangerous Music: El sistema de monitoreo para estudios móviles. Read More
“The Dangerous Master immediately made a huge improvement in the quality of my work. I think it’s the cleanest sounding solution available.”
Dave McNair, Mastering Engineer
“If analog inputs, gorgeous design, expandability and top-flight sound do it for you, then you can’t go wrong with the ST.”
Alex Oana, Pro Audio Review
"The Dangerous Music 2-Bus is one of the reasons my studio delivers a killer sound that grants the edge on the competition."
Alberto Rizzo Schettino, Engineer
“Clearly, Dangerous really nailed the user interface, but how does the Monitor ST/SR sound? It sounds fantastic.”
F. Reid Shippen, TapeOp Magazine
"The Mastering DAC is exactly what I have been looking for. Usually when you listen to a source you hear 1Khz-5Khz better than the rest of the audible spectrum ...
Arnold D'Souza, Engineer
“I really like having that analog stage in the D-Box, it adds something good sonically to the sound."
Ned Douglas, Engineer
“Between SSL, in-the-box and 2-Bus… in blind tests…it was a unanimous decision that the Dangerous mixes beat out everything.”
Gina Fant-Saez, Mix Engineer
“Dangerous Music really got it right with the Dangerous Master.”
Andrew Mendelson, Mix Magazine
“The ST gave me a much cleaner, deeper picture of my reference mixes.”
Eli Crews, Electronic Musician Magazine
"I just love the way…the 2-Bus…sounds. Anyone who's trying to mix in-the-box without analog summing is missing half the picture."
Michael Barbiero, Producer/Mix Engineer
Atlanta-based electronic music and synthesizer wizard switches his Read More
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