"The DAC that’s built into the Dangerous Monitor is really good and it’s fast. I really fell in love the with Dangerous Monitor."

Colin Leonard, Mastering Engineer

“From simple dynamics control to complete mix balance transformation, the Dangerous Compressor does both and everything in between.”

Greg Calbi, Mastering Engineer

“I think the mixes sound fantastic on the Dangerous 2-Bus. And it’s infinitely faster and easier to work this way.”

Ryan Greene, Producer/Engineer

"When I bought the D-Box 2+ years ago, I had no idea how dramatic the difference would be and I'm still excited by it. Anything that inspires me daily like that...

Ryan West, Mix Engineer

"High quality, durable- I can count on it. Also, I tend to think the guys over there at Dangerous Music are problem solvers."

Michael James, Producer/Engineer

“If analog inputs, gorgeous design, expandability and top-flight sound do it for you, then you can’t go wrong with the ST.”

Alex Oana, Pro Audio Review

"The Mastering DAC is exactly what I have been looking for. Usually when you listen to a source you hear 1Khz-5Khz better than the rest of the audible spectrum ...

Arnold D'Souza, Engineer

"The D-Box turns any room, bus or plane into the real deal. The analog summing creates a 'space' that you can't get 'inside-the-box' - making records with the D...

Pete Evick, Engineer

“The quality of the summing...in D-Box…is excellent.”

Simon Tillbrook, AudioMedia Magazine

"I can hear things very accurately with the Dangerous Music gear, it's not a colored, tricky sound.”

Jacquire King, Producer/Mix Engineer

Professional Sound Magazine Reviews the Dangerous Compressor

Saturday, Apr 25, 2015

Joe Mullen of Professional Sound Magazine shares his thoughts about the Read More

Dance Music Mixer Klaus Hill Goes Dangerous Down Under

Monday, Mar 30, 2015

Australia-based mix engineer Klaus Hill mixes hit after dance music hit for Read More