"The 2-Bus is a critical part of my setup. It replaces the console... I just love that sound."

Dave Rideau, Mixing Engineer

"I instantly heard lots of detail, the Source made the music instantly a lot less fatiguing. I am also able to work at a lower volume and still be 'into the vib...

Dan Black, Producer

“When I switched to digital… from recording and mixing analog for years… the Dangerous Music equipment… blew apart…the mysteries…of DAW mixing.”

Richard Sales, Engineer and Producer

“Dangerous Music gear is an essential part of my studio. I love the sound of analog summing and monitoring of the D-Box.”

Morgan Page, Remixer

"It compresses without any artifacts. It’s like the other Dangerous Music equipment, really transparent."

Antoine "Chab" Chabert, Mastering Engineer

"It kept the bass sounding raw and natural, yet thickened it up—not with added tone, but tight control. Very cool!"

Paul Vnuk Jr., Recording Magazine

“The integrated DAC in the Dangerous Monitor has become the tool I bench other DACs against. It has superior imaging, with no added color to distract me, and...

Mike Wells, Mastering Engineer

“I can bring the D-Box and track a session anywhere with my laptop. It’s an incredibly powerful system, and you have your summing.”

Morgan Page, Remixer

“Chris Muth is a genius. The Dangerous equipment sounds amazing!”

Robert Carranza, Mix Engineer

"In my setup, the Smart Dynamics button is in all the time, and it seems to enable me to get just a little more level on my mastering for all those level- hungr...

Greg Calbi, Mastering Engineer

Dance Music Mixer Klaus Hill Goes Dangerous Down Under

Monday, Mar 30, 2015

Australia-based mix engineer Klaus Hill mixes hit after dance music hit for Read More

Gear Autopsy- External Summing: Thinking Outside the Box

Wednesday, Feb 25, 2015

Gear Autopsy recently wrote an article where they get deep on the topic of Read More