D-Box

Combination Summing and Monitoring System.

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Your Studio’s Centerpiece

The D-BOX is a transparent, audiophile-grade monitor controller for tracking, mixing and mastering with eight channels of Dangerous Music’s award-winning analog summing at an unbelievable price point. Legendary designer Chris Muth has developed a world-class circuit for the D-BOX that provides crystal clear fidelity and flawless performance across its flexible feature set. The D-BOX handles your input source monitoring, speaker switching, cue, talkback, headphone and mixing needs in just one rack space. The D-BOX hosts reference-grade D/A conversion, switchable analog inputs between balanced +4dBu and unbalanced -10dBV, two powerful 20w/channel headphone amps, a built-in talkback mic, and a stunning analog summing mixer that will give your mixes the headroom and sonic dimensionality needed to achieve truly professional results.

You Must Hear Everything

True craftsmanship is in the details. If you can’t hear the nuances of what you’re working on, then you simply can’t make informed decisions. Everything from placing a mic, to turning a knob on an EQ, to coaching a singer though a delicate passage depends on being able to hear exactly what’s going on. With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, allowing what should be true craftsmanship to become guesswork. You simply can’t mix what you can’t hear. To solve this problem, the D-BOX incorporates audiophile-grade components in an unconditionally transparent design that reveals every last detail, allowing you to get things right the first time. Additionally, the D-BOX routes all your digital signals through the same onboard reference-grade digital-to-analog converter, giving you the same unified monitoring experience used by the world’s best mastering engineers.

Hear Even More with Analog Summing

Our award-winning active analog summing provides the increased headroom and vast sonic space needed to achieve truly stunning mixes. With the D-BOX’s analog summing mixer, your digital subgroups (or “stems”) are sent out of your session via your interface’s D/A converters to the D-BOX’s eight analog summing inputs, providing incredible headroom, dimensionality and clarity. No more collapsing mixes from shoving everything into a single digital fader, with the D-BOX panning becomes precise, reverbs and delays more engaging and clear, bass punchier, mids more detailed and the top end more open. Require even more channels of analog summing? Simply expand with the Dangerous Music 2-BUS LT or the innovative 2-BUS+.

LINK: Read producer Allen Farmelo’s independent report on analog summing with the D-BOX – includes listening comparison.

Effortless Signal Routing

As the centerpiece of your studio, the D-BOX handles all of your routing elegantly. There is the main stereo analog input, two digital inputs (both monitored through the same reference D/A), and two speaker outputs. The D-BOX handles both professional (+4dBu) balanced inputs and commercial (-10dBV) inputs (like phones and laptops) with easily programmed input levels. The on-board talkback mic and the dual 20w/channel headphone amplifiers with separate level controls round out all the routing needs for any studio.

Monitor Right and Never Guess Again

It would be hard to overstate the number of modern productions that have gone all the way to the final mastering stage with all kinds of noises, over-compression, clipping distortion and other unintentional problems because the monitoring chain was not revealing these issues. If you get your monitoring path right – as we have with the D-BOX – you’ll avoid the painful and time-consuming repair work required when problems are missed during production. Add in the D-BOX’s crystal-clear analog summing, and even the smallest project studios can have the best monitoring and mixing technology available in just one elegant and easy to use rack unit.

Awards for D-BOX

  • Electronic Musician Editor’s Choice Award
  • TEC Award (winner)
  • Resolution Awards (nominated)
  • Future Music ACE Award

Features

  • Hand-built in the USA.
  • Transparent monitoring from a meticulous Chris Muth design.
  • 8 Channels of unmatched analog summing.
  • Reference-grade digital-to-analog conversion.
  • Enormous headroom, big soundstage, and superior sonic imaging.
  • Two crystal clear 20-watt/channel headphone amplifiers.
  • Accepts both professional (+4dBu) and commercial (-10dBV) analog signals.
  • Select between two sets of monitors.
  • Full talkback functionality with on-board mic.
  • Effortless outboard gear integration.
  • Expand your summing path with 2-BUS+ or 2-BUS LT

Summing Section

Frequency Response: 1Hz-100kHz within 0.1dB
THD+N: < 0.003%
IMD: < 0.004%
Crosstalk: < -97dB
Noise: < -89dBu total energy in audio band
Maximum Input: +27dBu

 

Monitor Section

Frequency Response: 1Hz-100kHz within 0.1dB
THD+N: < 0.003%
IMD: < 0.0035%
Crosstalk: < -100dB
Noise: < -91dBu total energy in audio band
Maximum Input: +26dBu

 

D/A Converter:

Locks to standard AES or SPDIF signals 32kHz-100kHz
Crosstalk: < -101dB
Noise:< -92dBu
THD+N: 0.005%

Nominal operating level: +4 dBu

Input impedance:
25 kohms balanced

Output impedance:
50 ohms balanced

Power consumption: 25 Watt

Warranty: Free 2 year extended warranty with online registration.

Standard warranty: 90 days parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians.

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Testimonials

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    Nate Wood

    Mastering Engineer

    “The D-Box just immediately sounded way better to me. It was way easier to address problems in the mix or master.”

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    Stephen Fortner

    Keyboard Magazine

    “For keyboard-based producers who demand absolute audio quality, the D-Box is the solution.”

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    Barry Rudolph

    Mix Magazine

    “With its small size, transparent sound, elegant design, simple hookup, D-Box is packed with everything you need for studio or mobile applications.”

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    Pete Evick

    Engineer

    “The stereo width is unbelievable, I feel like I’m surrounded by my music.”

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    Stephen Fortner

    Keyboard Magazine

    “I wonder how I ever lived without the D-Box.”

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    Stephen Fortner

    Keyboard Magazine

    “The D-Box analog summing results are way closer to the big-desk league than to any of the usual home studio alternatives.”

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    Stephen Fortner

    Keyboard Magazine

    “The summing preserved noticeably more depth, detail, and sense of instrument location.

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    Ricky Rodriguez

    Producer, Engineer

    “It’s like an antidepressant for my ears!”

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    Morgan Page

    Remixer

    “With the D-Box summing I spend less time with my tracks pulling teeth trying to get the sound right than with mixing in the box.”

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    Sean Andrews

    Songwriter/Producer

    “The D-box simply sounds beautiful and brings everything I play through it to life! I can’t mix without it. Not to mention Dangerous’ customer support is world class! Thank you!”

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    Mike Levine

    Electronic Musician

    “With all its features, its impeccable sound quality, and its reasonable price, the D-Box is going to be very hard to resist.”

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    Morgan Page

    Remixer

    “With the D-Box summing I spend less time with my tracks pulling teeth trying to get the sound right than with mixing in the box.”

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    Simon Tillbrook

    AudioMedia Magazine

    “The quality of the summing…in D-Box is excellent.

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    GearAutopsy.com

    “The DA in the D-Box has to be one of the most balanced, neutral and musical converters I have heard.”

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    Stephen Fortner

    Keyboard Magazine

    “The D-Box has stellar sound what you put in is what you get out.”

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    Josh Fields

    Producer/Songwriter/Mixer

    “My mixes are sounding really good now, it’s crazy how much detail I was missing before. I can hear
    subtle things that got completely lost before.”

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    Steven Miller

    Songwriter/Producer

    “There’s such an instant difference- things get wider, things get a little bit deeper. Our mixes definitely shot through the roof after we started using this thing.”

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    Count

    Producer/Mix Engineer

    “The D-Box summing gives me a level of clarity that I used to struggle for on my mixes

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    PJ Bianco

    Producer

    “The D-Box brings depth and adds tasteful separation that you simply can’t achieve in the box.”

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    Mike Levine

    Electronic Musician

    “Everything sounded smoother and just better overall.”

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    George Shilling

    Resolution Magazine

    “The D-Box inspires confidence, sounds great, and is truly Pro.

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    Mike Levine

    Electronic Musician

    “A whole new level of fidelity, The experience was somewhat akin to driving a sports car after driving an economy car.”

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    Pete Evick

    Engineer

    “The D-Box turns any room, bus or plane into the real deal. The analog summing creates a ‘space’ that you can’t get ‘inside-the-box’ – making records with the D-Box and a laptop, you can make a real record.”

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    George Shilling

    Resolution Magazine

    “A great value..for a premium summing mixer and monitor controller in one box.

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    GearAutopsy.com

    “The Dangerous D-Box is one of the finest pieces of audio gear I have had the pleasure of working with recently”

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    Pete Evick

    Engineer

    “The beauty of the Dangerous Music D-Box is that we travel and do everything on the road, so the D-Box makes it completely possible to make world-class recordings without having to stop in LA, New York or Nashville.”

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    Morgan Page

    Remixer

    “What I like about the D-Box is that the transients sound really good. Everything sounds punchy and clear.”

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    Ryan West

    Mix Engineer

    “First rate D/A… punch, depth, and clarity in the summing section and just the features I need.”

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    Ricky Rodriguez

    Producer, Engineer

    “The D/A is great and it’s such an easy system to use.”

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    Ned Douglas

    Engineer

    I really like having that analog stage in the D-Box, it adds something good sonically to the sound.”

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