Whether working on a solo voice or a complete stereo mix, the COMPRESSOR reigns in the dynamics effortlessly and naturally and, in many cases, so well that I questioned whether it was switched in!
Whether working on a solo voice or a complete stereo mix, the COMPRESSOR reigns in the dynamics effortlessly and naturally and, in many cases, so well that I questioned whether it was switched in!
Join marek stycos Saturday, 21 Oct at 6pm at Atlantis Studio Amsterdam for an intimate exploration of the modern hybrid workflow with Dangerous Music and Chameleon Labs
The Audio Engineering Summit for the Carolina's invites independent audio engineers looking to grow in their career as a professional.
The Audio Alchemist Roadshow is rolling into a studio near you! Get your hands on the tonal twisting and taming tools that only Dangerous Music can bring to the party.
I’ve loved working with the 2-BUS-XT… I still hear a benefit when using good outboard. Once I’m there, it’s great to have the option of ultra‑clean, quiet summing, and it doesn’t get cleaner and quieter than this.
When you have gear that you can trust, your brain just executes ideas and you get into a creative flow. When you get into the mixing flow, you can work faster because you trust your feelings instead of thinking about the technical side.
Join us Tuesday September 6 in Berlin or Thursday September 8 in Cologne to reveal Hi Def conversion, summing, monitoring & outboard featuring Dangerous Music and Audio Outlaw marek stycos
The 2-BUS-XT 16 channel analog summing mixer leverages identical technology from the hybrid studio game-changing 2-BUS+ to sum your music and unlock its dimensional potential.
I’ve heard clinically transparent recordings that aren’t musical, and mixes with so much color they’re not authentic to the performance. I stand behind the Dangerous System because it’s the perfect balance of warmth and transparency.
As Dave honed his mixing skills over the years working with some of the country’s most elite artists across many genres, Dangerous Music played a vital role in his ability to capture the analog sounds that defined the era.
Michael has gradually built an arsenal of Dangerous gear spanning the entire System Complete—and then some. He says that his intricate Dangerous System helps him work faster and provides the sonic edge that sets him apart.
Go gentle into the night, into the black, into the infinite dynamic range of the stars.
In this video series, mix engineer and producer Michael James discusses how he leverages the Dangerous Music COMPRESSOR on the vocal, drum and mix bus.
How Darcy Proper uses Dangerous Music gear in her mastering chain to achieve her signature sound across genres and generations of music.
DJ Bless leverages the Dangerous System to solidify his signature sound.
How Rob Kinelski drove his Dangerous Music gear to mix multi-platinum hits for Billie Eilish and countless other artists.
Engineer and Producer, Dan Bacigalupi discusses how he and F. Reid Shippen leveraged The Dangerous SYSTEM including the 2-BUS+, LIAISON, CONVERT-2, and MONITOR-ST for remote mixing of a Kenny Chesney record in Key West, FL.
The Dangerous System allows you to get the purest analog path so you can express your sounds without having to compromise in any way. - Russell Elevado
It was clear the Dangerous 2-Bus+ was the one for me; its sound and functionality stood out a mile from the rest. I love how it can handle anything I throw at it and always retains its crystal clear sound.