When you have gear that you can trust, your brain just executes ideas and you get into a creative flow. When you get into the mixing flow, you can work faster because you trust your feelings instead of thinking about the technical side.
All in CONVERT-2
UNLOCKING THE DANGEROUS SYSTEM - TODD WHITELOCK
I’ve heard clinically transparent recordings that aren’t musical, and mixes with so much color they’re not authentic to the performance. I stand behind the Dangerous System because it’s the perfect balance of warmth and transparency.
FROM CONSOLES TO COMPACT MIXING AND PRODUCING - DAVE ISAAC
As Dave honed his mixing skills over the years working with some of the country’s most elite artists across many genres, Dangerous Music played a vital role in his ability to capture the analog sounds that defined the era.
TRACK MIX & MASTER WITH THE DANGEROUS SYSTEM - MICHAEL JAMES
Michael has gradually built an arsenal of Dangerous gear spanning the entire System Complete—and then some. He says that his intricate Dangerous System helps him work faster and provides the sonic edge that sets him apart.
GHETTO METAL GETS DANGEROUS - DJ BLESS
DJ Bless leverages the Dangerous System to solidify his signature sound.
MIXING MULTI-PLATINUM HITS - ROB KINELSKI
How Rob Kinelski drove his Dangerous Music gear to mix multi-platinum hits for Billie Eilish and countless other artists.
NO GOING BACK - ROB CHIARELLI
GRAMMY® award-winning record producer and mix engineer Rob Chiarelli can’t imagine life without the Dangerous Music System Complete in his studio.
